I wrote yesterday about two articles and realize that these two have taken approaches through the Marxian lens of base and superstructure. Other historians, like Paul Gilroy, have critiqued past approaches to
legislation and even critique capital and the ideas of consumption. Gilroy
argues “however, the more significant… is the critique of the economy of time
and space which is identified with the world of work and wages from which
blacks are excluded and from which they, as a result, announce and celebrate
their exclusion.” This celebration is embodied in the culture of underground
hip-hop, rap and lyrics, the musicality of reggae with its ‘ghetto’ components,
and through other modes of expression. “(It) revels in the reduction of music
to its essential African components of rhythm and voice.” It is through this
expression that consumption is turned into a social process, one that turns
itself into its own authentic public sphere, one that “may symbolize or even
create community.” Gilroy takes the previous ideas of capitalism and take them
into the realm of culture. He successfully indicates, through his ideology of
cultures formed in the African diaspora, the involuntary participation that
consumption has with the formation of cultures. Gilroy’s approach to critique
capital helps to explain another dimension in this argument. He explains the
formation of culture as mode of expressive celebration on their separation and
exclusion from the workplace. As they become exploited by capitalists, they
find a mode to express this repression in order to form a culture that has
found significance even today.
Randall
Hansen takes a turn from class conflict and describes a political history of
the Commonwealth Immigration Acts 1968, one of his points behind the
legislation being, “a decline in both major parties’ commitment to the
Commonwealth.” The racial issues involved come, blatantly, in the form of U.K
citizens facing a racial restriction upon entering the U.K. “The part that had
championed the Commonwealth ideal of racial equality and inter-racial
co-operation… was on the verge of passing legislation denying the entry to
British citizens because of the colour of their skin.” This change of heart,
regarding racism and immigration control within the pro-Commonwealth party,
shows the racism that was involved in political decisions. Hansen also
describes the massive influx of Asians coming into Britain and the demand from
the public that it be stopped. Through this analysis we can see that, the
combination of political pressure, panic of increasing Asian immigration numbers,
and commitment failures to Commonwealth equality values, resulted in racial
discrimination took form in the Commonwealth Immigrants Act of 1968.
Sources
Paul
Gilroy, “There Ain’t No Black in the
Union Jack”: The Cultural Politics of Race and Nation (Chicago: University
of Chicago Press, 1987), 210.
Randall
Hansen, “The Kenyan Asians, British Politics and the Commonwealth Immigrants
Act, 1968,” Historical Journal 42/3
(1999): 809.
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